Chris Davey

Biography

Previously at the Châtelet chris has designed 42nd Street

He has designed extensively for The National Theatre, Royal Shakespeare Company,

Recent Designs include Touching the Void (Tour and Duke of York’s Theatre, London), Witness for the

Prosecution (County Hall, London), Switzerland (Bath Theatre Royal, Ambassadors Theatre, London),

Nightfall (Bridge Theatre, London), Rhinoceros (Edinburgh International Festival), Vamos Cuba!(Sadler’s

Wells), Sweeney Todd (La Monnaie, Brussels), Matthew Bourne’s The Car Man; Lord of the Flies (Royal

Albert Hall, Sadler’s Wells, national and international tours), The Driver’s Seat (National Theatre of Scotland),

Carlos Acosta’s Classical Selection (Coliseum, Royal Albert Hall and world tour), Footloose,The Crucible,

The Shawshank Redemption, Wonderful Town, The History Boys, High Society, Dr Dolittle, Dial M for

Murder (national tours).

Opera includes Madame Butterfly (Oslo), A Little Night Music, The Magic Flute, Queen Of Spades (Opera

North), Romeo et Juliette (Opera Ireland), L’Heure Espagnole, La Voix Humaine, Hippolyte et Aricie

(Nationale Reisopera Netherlands), L’Arbore di Diana (Valencia), I Capuleti E I Montecchi (Opera North,

Melbourne, Sydney Opera House), Skellig (The Sage Gateshead), Aida (Houston), Bird of Night (Royal Opera

House London), Bluebeard (Bregenz), Jephtha (Copenhagen / English National Opera/Welsh National Opera),

The Magic Flute, Sweeney Todd (Welsh National Opera), eight seasons for Grange Park Opera, Les

Illuminations, The Turn of the Screw, The Rake’s Progress (Aldeburgh Festival), The Picture of Dorian

Gray (Monte Carlo).